Open Rangereviewed by Benn "Where's the Humanity?" Farrell
Yes, I fell for the picture's pre-Oscar race marketing and sat nearly front row. Forgive me.
However, despite my better judgments, "Open Range" was surprisingly good and believe it or not,
somewhat original. The picture tells the story of Boss Spearman, a free range master played by Oscar winner
and multi-nominee Robert Duvall, who sends one of his men into the nearest town for supplies.
After having a run in with the town sheriff and the kingpin rancher who controls the town with
corruption and most of the surrounding lands, Duvall's man is killed and another severely
injured. Duvall and his right hand Charley White, played by Costner--a Best Director Oscar
winner himself, head for
town in search of quick justice and bring their injured help to the local doctor. There, they
meet the doctor's live-in nurse and sister, Sue, played by Oscar winner Annette Benning.
The pace of the picture is very slow, but through the entire work, I never found myself disinterested.
Duvall and Costner give fine performances, keeping their audience attentive to what smart-ass
remark they may say next. Benning also flexed her on screen talent, playing the love interest
demurely and with much fore-thought.
Definitely the best part of the movie is the 15 minute shoot-out finale, which makes up for the
film's lack of nudity and sex. The fight was highly realistic, showing those being shot continue
to be shot until they simply stop moving. One bullet doesn't kill a man solely in this picture, which
is a defining trait of most spaghetti westerns in the past.
However, Costner's likeable character, depite his self-depricating nature, is very reminding of
Clint Eastwood's William Munny in the Academy Award winning "Unforgiven." Both characters
are haunted by their past of wicked behavior and careless violence. Aside form that, "Open
Range" has the full flavor of something new. Even though it takes another 15 minutes after the
shootout to resolve the love interest between Costner and Benning, the feature's weakest link.
Costner introduces new screenwriter Craig Storper whose only other credit includes the 1986 TV
movie "The Truth About Alex." I haven't seen it, but I going to guess it's about some gay guy
in the closet.
I would suggest anyone who appreciates violence as a vehicle for black comedy and cheap laughs should
see Costner's new project, and don't allow anyone to tell you THIS western is "typical." Benn - Where's the Humanity?
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