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"Seabiscuit" is an allegorical look at America during some of its darkest years.
The great depression was in full swing, family were forced to split up to survive and a race
horse named Seabiscuit represented the re-building the country's spirit and economical
solidarity.
Oscar winner Chris Cooper, Jeff Bridges and Tobey MacGuire head a well cast roster of performers
in this highly spirited "over-coming-all-odds" hero picture. Each of them play key characters
who have suffered along the roads of life and made costly mistakes but somehow find a way to
bounce back and show the world there's always a dream to be had.
Bridges plays Charles Howard, a former Buick man hit by the depression and the owner
of the gelding who places his trust in a nomad trainer named Tom, played by
Cooper, who then discovers seeing impaired oversized jockey Red Pollard (MacGuire)
to take "The Biscuit" to
fame and glory on two different occassions.
Special appearances are also made by renowned Irish actor Brian Cox and Hall of Fame horse
racing jockey Gary Stevens as George Woolf, who takes over as Seabiscuit's rider at a
very crucial time in the film. Audiences will also recognize Oscar nominee William H. Macy
as eccentric radio journalist Tick-Tock McGlaughlin.
The performances were very brilliant, but most of the females among the cast lacked both
forethought and screen time. Cinematography was also very captivating without getting too
artsy.
Director Gary Ross, whose only other director credit includes "Pleasantville," of which he
an Academy Award nomination as a writer, kept the focus of the film, never allowing the
parallel between the four main characters (including the horse) and the status of America
during that time, to the point where America becomes a character itself.
However, at one point where one may feel the film is ready to end, we suddenly find ourselves
in the middle of a second-second act, where jockey Pollard and Seabiscuit must fight their
greatest obstacles, their physical health and the will to fight for something great.
The spare second act tends to drag the film as a whole down, but the pay off is soon worth
the extra minutes. "Seabiscuit" is well worth a couple of trips to the cinema. Benn - Where's the Humanity?
I did not read Benn's review of Seabiscuit until after I saw the movie. A friend of mine
told me to go see it but I waited until it came out on DVD just because I had that
nagging feeling that I wouldn't have like it as much as he thought I would. I was
right I didn't like as much as my friend thought I would or as much as Benn did.
My biggest problem in the movie was the first thirty minutes. It dragged so much that I
thought about turning the movie off at least 3 times, but there was nothing else to
watch so I kept it on. The first thirty minutes sets up the background for all of the
characters but I feel they could have got the same information across in half the time.
During that time, most of the background is spent on Bridges character the rest on Maguire's
character, and very little on Coopers character. It was so disproportionate that I thought
the movie was about Bridges character instead of the whole group.
That being said, after the first thirty minutes the movie picks up and becomes quite
fascinating. I enjoyed the rest of the movie although I would have like to see more
done on Chris Coopers's character, Tom Smith, because I feel he was by far the most
interesting character of the bunch. I agree with Benn in that there was no female
presence in the movie. I thought the movie as whole was well acted even though every
time I see Jeff Bridges I get the feeling he is working too hard to get that Oscar clip
in every scene. Tobey Maguire did a good job on a tired character, by that I mean it's
a character done in movie's over and over.
Overall, I like the movie just not as much as Benn. I think there are other movies out
there deserving of Oscar and I think this one will be missed. But it is still worth
seeing, once. Brian - the Naked Gun
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